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The story of a detective who traverses past and present in the hopes of saving his daughter. He goes from walking along the ridges of rice paddies for clues in 1986, straight into 2016. Wherever he goes, he causes trouble and creates problems, but his antics are funny and bizarre because he is an old-fashioned detective from the past trying to adjust to life in modern day.
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“Escobar, the king of evil” is a fictional series product of free adaptation of “The Parable of Paul,” Alonso Salazar, press articles and publicly known facts of national life, the historical facts are surrounded by fictional characters and dialogue, allowing supply and re-documented situations.
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Within the DGSE (General Directorate for External Security), a department called the Office Of Legends (BDL) forms and remote pilot the most important agents of the French intelligence services: Clandestine. Immersion in hostile country, their mission is to identify individuals who may be recruited as sources of information. Operating “under caption”, that is to say in a fabricated identity from scratch, they live for many years in a permanent duplicity.
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About a genius sound creator and his fan who is a high school student. It’s a bittersweet uplifting romance story of how they meet and fall in love.
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Yoo Ji-Na has been a popular singer for the past 20 years, but she holds pain inside because of something she abandoned when she was younger. Meanwhile, Jung Hae-Dang began working as a Yoo Ji-Na impersonator to support her family after her father lost his job. She sings on stage at a club and tries hard to mimic Yoo Ji-Na’s songs.
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Chun-Il is married to Ra-Yeon and they have a daughter Ik-Hee. Chun-Il works as a salaryman and tries to survive at his company. Ra-Yeon is worried about her husband’s low salary and Ik-Hee going through adolescence.
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Within the DGSE (General Directorate for External Security), a department called the Office Of Legends (BDL) forms and remote pilot the most important agents of the French intelligence services: Clandestine. Immersion in hostile country, their mission is to identify individuals who may be recruited as sources of information. Operating “under caption”, that is to say in a fabricated identity from scratch, they live for many years in a permanent duplicity.
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Two cops: one plays by the book; the other is all instinct and rough justice. Once best friends but now sworn enemies, they tackle organised crime in this powerful French detective drama.
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